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Khám phá văn hóa chợ nổi Miền Tây qua góc nhìn nghệ thuật của họa sĩ Nguyễn Đình Long – nơi những con thuyền, tiếng rao và sắc màu sông nước hòa quyện trong tranh sơn mài và ký ức dân gian. Western Life through the Language of the Paintings Ngày mới (2) Tranh sơn mài gắn vỏ trúng kết hợp vàng, bạc quỳ. Bình minh. (Apricot Gallery) Rhythm of life Lacquer painting Lacquer Paintings (Apricot Gallery) Chợ nổi Tranh sơn dầu Bình minh màu tím Tranh sơn mài Lacquer Paintings (Apricot Gallery) On the Mekong River Acrylic on canvas After the Rain Oil on canvas Rambutan season Lacquer painting Market on the river Oil on canvas The sampans Lacquer painting Western Beauty Oil on canvas Ngày mới Lacquer painting. Golden rain Lacquer painting Boat Dock Oil on canvas Dawn on the river Oil on canvas Imago Mundi Imago Mundi Collection Imagon Mundi Collection Vietnam:New Winds Contemporary Artist from Vietnam's Book The river delta is a place where life is closely associated with boats and wharves. and the bustling floating market in the middle of the vast alluvium. In that space, people appear simple, harmonious, carrying the beauty of labor and indigenous culture. The work "On the Mekong River" was composed by me from that inspiration - as a slice of life in the West, where the river is not just a path, but a place to live, a place to meet and a place to tell stories. In 2015, this work was selected for the global art collection Imago Mundi Collection founded by Luciano Benetton. Market on the river Acrylic on canvas Entrance to Cham village - Chau Doc - An Giang Acrylic on canvas

Khám phá bộ sưu tập tranh sơn mài của họa sĩ Nguyễn Đình Long – nghệ thuật truyền thống Việt Nam được thể hiện bằng cảm xúc và kỹ thuật tinh tế. Please see more works in the albums: Girl and lotus - Quan Ho countryside - Western region - Floating market. Art practice process Sắc Xuân Acrylic on canvas. Tranh Tết Bính Ngọ 2026 Mùa Xuân Năm Ấy Acrylic on Canvas Lotus Garden | Lacquer painting Lacquer painting “Lotus Garden” by Nguyen Dinh Long Contact me. Lacquer painting. feelings Painting of two girls in a lotus pond, lacquer painting by Nguyen Dinh Long. Flower boat. Lacquer painting. Rhythm of life. Lacquer painting. Lacquer Paintings (Apricot Gallery) The Girl and the Bamboo Flute. Lacquer painting Golden rain. Lacquer painting. By the lotus bush. Lacquer painting.

Khám phá hành trình sáng tác tranh sơn mài của họa sĩ Nguyễn Đình Long – từ gắn vỏ trứng, dát vàng bạc đến hoàn thiện những tác phẩm mang hồn Việt. The process of art practice Each lacquer work by Nguyen Dinh Long goes through a meticulous creation process – from choosing materials, attaching eggshells, gilded with silver to each layer of polished paint. It is not just a technique, but a journey to preserve the soul of Vietnamese lacquer paintings. Lacquer painting cover Eggshell process Attaching eggshells to lacquer paintings Eggshell process Gắn vỏ trứng. Thao tác gắn vỏ trứng. Nguyen Dinh Long is painting Lacquer paintings Nguyen Dinh Long is painting Golden Rain, lacquer painting Lacquer painting is being fitted with a shell. The process of attaching the shell to the lacquer painting Vỏ trứng dùng để gắn tranh vỏ trứng trắng và vỏ trúng màu dùng để gắn tranh sơn mài Lacquer painting with eggshell attached. Lacquer painting eggshell mounting tool. Artist Nguyen Dinh Long is creating. A painting painted with Acrylic on Canvas. Nguyên liệu vỏ trứng Vỏ trứng dùng để gắn vào tranh sơn mài Tranh sơn mài Dán bạc tranh sơn mài

Chân dung tự họa của họa sĩ Nguyễn Đình Long thể hiện sự đối thoại giữa cái tôi và thế giới nội tâm – từng lớp sơn mài hé lộ bản ngã, cảm xúc và hành trình nhận diện chính mình qua nghệ thuật. Self-portrait Self-Portrait – A Journey of Looking Back at Myself Through Painting In the history of art, the self-portrait in modern art has always held a special place. It is not merely a depiction of the artist’s face, but a doorway into the inner world – a meeting point of emotions, reflections, and lived experiences. For me, the contemporary self-portrait is a silent dialogue with myself – at once sincere, demanding, and filled with an unceasing desire for creation. Self-Portrait in Vietnamese Lacquer Painting and Oil Painting Throughout my artistic journey of self-discovery, I have experimented with self-portraiture in different mediums. With oil painting, I found freedom and boldness in color composition, a daring energy in brushstrokes. The self-portrait often emerges with strong, sometimes distorted, exaggerated features – as though exposing the raw and uneasy corners of the inner self. In contrast, with Vietnamese lacquer painting, I chose another path. Lacquer demands patience and contemplation; each layer of black lacquer, silver leaf, or eggshell is applied and gradually polished, echoing the process of introspection. Thus, the lacquer self-portrait becomes a distillation – memories crystallized through time. This comparison between oil painting vs lacquer painting highlights not only differences in technique, but also in how the artist confronts the self. Self-Portrait – A Symphony of Emotions and Memories In my self-portrait works, I do not merely aim to capture outward appearance, but more importantly, to reflect the “spirit” – the contemplations on art, on life, and on the destiny of being an artist. Every gaze, line, and color field is a fusion of reality and symbol. Some portraits depict the artist facing the canvas – as if questioning oneself in that very moment. Others bring together the image of the painter alongside tubes of color, brushes, and even a familiar companion: the cat – a symbol of intimacy in daily life, yet carrying quiet philosophical undertones. The Meaning of Self-Portrait in My Creative Journey For me, painting self-portraits is a way of recording the milestones of creation. Each piece marks a stage – reflecting the mindset, emotions, and thoughts of its time. Looking back at these portraits, I clearly see the transformation: from the innocence of early attempts, to deep contemplation and stillness, then toward a freer, bolder expression. The self-portrait, therefore, is not only “me” within art, but also “me” in the flow of memory, of creativity, and of life itself.

Tìm hiểu ngôn ngữ Quan-Họ qua góc nhìn của họa sĩ Nguyễn Đình Long – khám phá chiều sâu văn hóa dân gian. QUAN HO - SOURCE OF INSPIRATION FOR LACQUER In the history of contemporary Vietnamese art, lacquer painting is not merely a medium it is the whispered voice of memory, of cultural essence. When speaking of the lacquer series on Quan Ho cultural life in Bac Ninh (2009–2014) by artist Nguyen Dinh Long, the viewer does not only encounter works of art, but also touches upon an entire realm of consciousness, where memory and the present intertwine in the golden glow and crimson hues of lacquer. What gives this series its profound spiritual weight is the context: the artist was born and raised in the very cradle of Kinh Bac culture. From the melodies of Quan Ho sung along the riverbanks, from the four-part dresses and traditional of the liền anh and liền chị (male and female singers), from the spring markets and the village ponds—all of these became flesh and blood, an “invisible material” nourishing his artistic soul. Transformed into lacquer painting, they become a luminous and enduring “space of memory,” transcending the erosion of time. Quan Ho Bac Ninh – Cultural Heritage in PaintingIn 2009, Quan Ho Bac Ninh folk songs were inscribed by UNESCO as an Intangible Cultural Heritage of Humanity. But even before that milestone, for Nguyen Dinh Long, Quan Ho had already been a hidden current flowing through his creative life. As a child of Kinh Bac, he has always known Quan Ho not just as a form of folk singing, b ut as a living cultural symbol—interwoven with childhood memories, family traditions, and the very landscape of his homeland. In the lacquer works of 2009–2014, viewers can easily recognize earthy browns, vermilion reds, and shimmering gold and silver, evoking the temple roofs, pagoda structures, and traditional garments. Solid forms recall the village festivals, the call-and-response duets, the festive gatherings. These paintings are more than images—they are symphonies of memory. Importantly, Nguyen Dinh Long does not illustrate Quan Ho literally. Instead, through modern visual language, he “sculpts” the images of the singers on lacquer surfaces. Thus, the works embody both tradition (medium and subject) and contemporaneity (form, composition, rhythm). This series is not only a tribute to heritage but also raises the question: Where will Quan Ho go in today’s era? And what can visual art do to preserve the soul of the nation? The Language of Lacquer and Artistic Expression It is impossible to discuss this series without acknowledging its technical depth. Lacquer is a medium that demands patience, time, and a refined sense of light and color. Nguyen Dinh Long has inherited this tradition while simultaneously developing his own artistic language. In the Quan Ho Bac Ninh series, he layered then lacquer and cockroach-wing brown, combining eggshell, gold, and silver to create spatial depth. When polished, l uminous surfaces emerge like legendary memories, evoking a sensation that is both real and dreamlike. This is the unique spirit of lacquer painting: the sediment of time embodied on the canvas. In terms of composition, the works often unfold rhythmically, resembling the structure of an ancient Quan Ho song—with introduction, climax, and lingering conclusion. The figures, usually grouped in clusters, depict liền anh and liền chị in their graceful attire flowing four-part dresses, charming headscarves. Their faces are stylized, not detailed, but still radiating gentleness and lyrical elegance the very spirit of Kinh Bac. Notably, Nguyen Dinh Long expands beyond singing scenes to depict other cultural activities: swinging festivals, temple fairs, or boat rides with duet singing on the river. Together, they form a vast tableau of Kinh Bac’s spiritual life.

Nguyễn Đình Long giới thiệu bộ tranh sơn mài chân dung tự họa, nơi mỗi tác phẩm là sự đối thoại thầm lặng giữa nghệ thuật và cuộc sống. Self-portrait Nguyen Dinh Long – A journey with lacquer paintings and self-portraits In the stream of contemporary Vietnamese art, Nguyen Dinh Long is a painter who devotes much of his passion to lacquer paintings. Besides compositions about the countryside, lotus flowers or river life, He is also particularly interested in self-portraits – a genre that is both familiar and challenging to the artist. With self-portraits, Nguyen Dinh Long not only depicts the appearance, but also opens up the inner world. In oil paintings, he chooses freedom and strength; In lacquer paintings, each layer of silver, eggshell, and stone becomes a journey of contemplation. like a silent dialogue with yourself. Each self-portrait is a creative milestone, reflecting the artist's mindset over time. It is both a personal mark and an affirmation that: Painting not only reproduces images, but also preserves memories, emotions and creative aspirations. Self-portrait Lacquer painting Chân dung tự họa Tranh sơn dầu Self-Portrait Saatchi Art Self-portrait. Lacquer painting.

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Khám phá thế giới nội tâm qua tranh sơn mài của họa sĩ Nguyễn Đình Long – nơi hình ảnh hoa sen và chân dung thiếu nữ trở thành biểu tượng của bản thể, sự tĩnh lặng và hành trình nhận diện chính mình. In the flow of time and inner feeling, “Lotus and Being” is a visual journey that explores the profound connection between humans and nature. Flower boat Lacquer painting Lacquer painting. Lacquer painting. (Apricot Gallery) Lacquer painting Lacquer Paintings Flower viewing Flower Viewing Lacquer Painting Lacquer painting. (Apricot Gallery) Lacquer painting. Lacquer painting. Lacquer painting. Make up. Makeup. Lacquer painting. Lacquer painting. Lotus in the garden Lacquer painting Lacquer painting. (Apricot Gallery) Lacquer painting. The Girl and the Bamboo Flute. Lacquer painting. Lacquer painting. By the lotus bush By the Lotus Bush Lacquer painting. Lotus song. Acrylic with silver leaf on canvas. feelings Lacquer painting. Lotus season. Acrylic on canvas. Lacquer painting.

Nguyễn Đình Long chia sẻ góc nhìn về ngôn ngữ tạo hình – nơi tư duy sáng tạo gặp gỡ chiều sâu tri thức. The Simultaneity of Emotion Artist Statement – Nguyễn Đình Long In my artistic journey, I once experimented with perspective and spatial order. Yet, the more I pursued them, the more I realized they were not my way. I am not drawn to the logic of form, but to the simultaneity of emotion – where space and time dissolve into one another, and where memory and the present breathe together upon a single lacquer surface. In my paintings, form, line, and contrast are not mere visual devices; they are the language of inner feeling. I observe life not through my eyes, but through the quiet resonance within. Each layer of lacquer applied, then gently polished away, becomes a conversation with myself – between presence and absence, light and shadow, reality and remembrance. Lacquer gives me permission to slow down, to listen closely to the fragile and the subtle moments of existence. I choose to simplify the figure to preserve its spirit – the part that feels, not merely appears. For me, painting is a return to stillness amid the noise of life. Each work becomes a silent space, where the human soul can be seen, shared, and deeply felt.

Tìm hiểu ngôn ngữ Quan-Họ qua góc nhìn của họa sĩ Nguyễn Đình Long – khám phá chiều sâu văn hóa dân gian. I do not paint Quan Ho as an event. I draw Quan Ho as a vivid memory resounding in the hearts of Vietnamese people. (Many of these paintings are in the Solo Exhibition in Hanoi - 2011) Lacquer Paintings (Apricot Gallery) Lacquer painting lacquer paintings Lacquer painting Lacquer Paintings (Apricot Gallery) Lacquer painting Lacquer painting Lacquer painting Lacquer painting Lacquer Paintings (Apricot Gallery) Lacquer Paintings (Apricot Gallery) Lacquer painting Lien Chi Lacquer painting Lacquer Paintings (Apricot Gallery) Lacquer Paintings (Asiana-fineart) Lacquer painting Lacquer painting Hesitant Lacquer painting Lacquer painting Lacquer painting Lacquer painting

Tranh sơn mài Việt Nam độc bản, sáng tác thủ công, mang đậm bản sắc dân tộc. Khám phá thế giới tranh sơn mài của họa sĩ Nguyễn Đình Long. Lacquer painting – the soul of Vietnamese art Lacquer painting is not just a painting material — but also the soul of Vietnamese art. From layers of lacquer, cockroach wing lacquer, to eggshells, gold and silver hidden through many layers of grinding, Lacquer is a combination of labor, emotion and time. Each painting is not only painted, but also "conceived" and "nourished" with patience, with the artist's slow breathing. For a long time, Vietnamese lacquer has become one of the great prides of national fine arts. Unlike Chinese or Japanese lacquer — which emphasizes decoration — Vietnamese lacquer paintings go into the depths of the soul. Those paintings do not show off colors but quietly shine in space, bring a sense of calm, meditation. Lacquer is associated with Vietnamese painters as a lasting fate, There, every layer of paint, every stroke of polish is a part of memory and experience. The beauty of lacquer is not in its splendor but in its clarity, its sedimentation, its hiddenness — where light is found through darkness, and emotion is evoked through the silence of matter. In modern life, when many people look for quick and convenient materials, Lacquer still keeps its own slowness. It's like a philosophy of life: to reach true beauty, one must know how to go through many layers, polishing, and keep the original feeling. For me, lacquer is more than just a material. It is an inner journey, where emotions are compressed and released through each layer of paint. Each lacquer work is a silent conversation between the artist and time. Eggshell Mounting | Lacquer Painting Eggshell mounting technique for lacquer paintings. Lacquer painting | eggshell Attaching eggshells to lacquer paintings Eggshell Mounting | Lacquer Painting The process of attaching eggshells to lacquer paintings

Các triển lãm nghệ thuật của Nguyễn Đình Long – nơi tranh sơn mài gặp gỡ công chúng qua không gian sáng tạo, cảm xúc và chiều sâu bản thể. Cập nhật lịch trưng bày và sự kiện nghệ thuật mới nhất. Featured exhibitions 2011: Solo exhibition Colors of the homeland (lacquer painting), at the 16 Ngo Quyen, Hanoi. 2019: Phieu-Flownes Group Exhibition, at Ho Chi Minh City Museum of Fine Arts. 2012. Charity auction exhibition at the Par Hyatt Saigon Hotel - Ho Chi Minh City, organized by OperationSmile - Vietnam 2011. Charity auction exhibition at the Intercontinental Hotel Hanoi, organized by OperationSmile-Vietnam 2010: Exhibition of Vietnamese silk paintings in Paris, France. 2007: Silk Painting Exhibition, at Vietnam Fine Arts Museum, Hanoi. Since 2012, continuously creating and participating in exhibitions in Ho Chi Minh City, New Creation Exhibition, Saigon Lacquer Club Exhibition of the Ho Chi Minh City Fine Arts Association. Some pictures in the Solo Exhibition. Colors of Homeland in Hanoi. 2011 2011 solo exhibition poster 2011 solo exhibition poster Opening of solo exhibition Opening of solo exhibition. 2011 Exhibition opening The Arts Council works before the opening ceremony Working with the Arts Council Exhibition opening. Take a souvenir photo with artist Thanh Chuong. Take a souvenir photo with artist Bang Lam. Arts Council Exhibition space. Charity auction exhibition at InterContinental Hotel - Hanoi. 2011 Charity auction exhibition at Park Hyatt-Saigon Hotel, Ho Chi Minh City. 2012 Spring Travel Silk Painting. Participated in the Silk Painting Exhibition - Vietnam - 2007, at the Vietnam Fine Arts Museum - 66 Nguyen Thai Hoc - Hanoi. Silk Painting Exhibition - Vietnam in Paris - France - 2010 Spring Travel - Silk Painting. Participated in the Vietnam Silk Painting Exhibition at the Vietnam Fine Arts Museum, 66 Nguyen Thai Hoc - Hanoi 2007. Exhibition of Vietnamese Silk Paintings in Paris - France - 2010 Group Exhibition - Flownes 2019 at the Ho Chi Minh City Museum of Fine Arts 2019 Group Exhibition Poster Opening of the 2019 Group Exhibition Paintings in the 2019 Group Exhibition Opening of the 2019 Group Exhibition Paintings in the 2019 Group Exhibition