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Nguyễn Đình Long chia sẻ góc nhìn về ngôn ngữ tạo hình – nơi tư duy sáng tạo gặp gỡ chiều sâu tri thức. In the journey of practicing art, I always seek the simultaneous presence of emotions – where space and time merge into one, where memories and the present breathe together on the same plane of the artwork. In my paintings, form – line – light and dark are not just shaping elements, but the language of mood. I observe life not with my eyes, but with emotions deeply felt within. Every time I sit before an unfinished painting is a time I dialogue with myself – between reality and memory, between light and darkness. Painting gives me the right to slow down, to listen to the most delicate and fragile things. I choose to simplify forms to preserve the soul – where emotions speak. For me, painting is a way to find stillness amidst a noisy life. Each painting is a moment of silence, where the human soul is seen, shared, and empathized with.

Khám phá chiều sâu bản thể qua hình ảnh hoa sen trong tranh sơn mài của họa sĩ Nguyễn Đình Long– nơi nghệ thuật truyền thống gặp gỡ triết lý sống, sự tĩnh lặng và hành trình nội tâm. Lotus and its essence Lotus and Being – The Artistic Journey of Connection In the flow of time and inner feeling, “Lotus and Being” is a visual journey exploring the profound connection between humans and nature. The lotus is more than just a flower — it is a state of existence, a symbol of reincarnation, birth – death, fading – blooming in Buddhist concept. From the mud, the lotus quietly rises, blooming each thin petal as if meditating in the midst of chaos. To me, the lotus is a symbol of the original self: quiet yet vibrant, soft yet resilient, simple yet profound. The images of women in the series are more than just characters — they embody the connection between humans and nature, between the visible and the invisible. In every glance, every sitting posture, and every blooming lotus petal is a whisper: that we are not separate from the earth, but are part of it. The lotus is a symbol of purification—rising above the mud to reach pure beauty. It does not flaunt its beauty, but shines from humility; it does not compete, but exists as a reminder of awakening. In a chaotic world, the lotus is a still point. In the creative journey, the lotus is a companion — a guide to emotions, to contemplation, and to the return to oneself. The painting series “Lotus and Being” is not just a collection of images — but a space of meditation, where viewers can stop, listen and feel life breathing in every color.

Khám phá bộ sưu tập tranh sơn mài của họa sĩ Nguyễn Đình Long – nghệ thuật truyền thống Việt Nam được thể hiện bằng cảm xúc và kỹ thuật tinh tế. Please see more works in the albums: Young woman and lotus flower - Quan Ho countryside - Mekong Delta - Floating market. The process of practicing the art. Spring Colors Acrylic on canvas. The painting depicts the harmonious blend of emotions between the present and the past within the setting of the traditional Lunar New Year. The painting was exhibited at the "Spring City" Exhibition 2026 at the Ho Chi Minh City Museum of Fine Arts, organized by the Ho Chi Minh City Fine Arts Association and the Ho Chi Minh City Museum of Fine Arts. That Spring Acrylic on Canvas. My nostalgia for my childhood, often accompanying my mother to the market to buy simple Tet (Lunar New Year) supplies, led me to paint a baby sitting on the back of a buffalo, the zodiac animal of the Year of the Ox, to welcome the traditional Tet holiday of 2021. The painting was exhibited at the "Spring Exhibition" at the HMT exhibition hall in Ho Chi Minh City, 2021. Lotus garden | Lacquer painting Lacquer painting "Lotus Garden" by Nguyen Dinh Long Sister | Lacquer painting. Sister, Lacquer painting by Nguyen Dinh Long share feelings Collection by Apricot Gallery Flower boat. This lacquer painting depicts a boat laden with colorful flowers gently drifting through a tranquil space. The warm colors and traditional lacquer techniques create a poetic and nostalgic image of the Vietnamese countryside. Life Rhythm | Lacquer Painting "Rhythm of Life" is a 100x100cm lacquer painting depicting the movement of daily life through graceful brushstrokes. The artwork has a modern feel while retaining the depth of traditional culture, reflecting the harmony between humans and nature. Lacquer paintings (Apricot Gallery) The Girl and the Bamboo Flute Collection by Apricot Gallery Golden Rain. Lacquer painting. “Golden Rain” – not just a color, but a longing for sudden downpours to irrigate the fields, soothing the harsh drought months of the Mekong Delta in 2020. Within the quiet lacquer, the golden hue is no longer mere decoration, but a symbol of hope—silent, enduring, and full of compassion. Beside the lotus flower cluster | Lacquer painting A young woman's figure floats gently amidst the lotus blossoms, where time seems to stand still. Layers of lacquer, gold, and eggshell not only create light but also preserve the delicate, discreet beauty of the Vietnamese soul—gentle, profound, and enduring like the lotus flower.

Nguyễn Đình Long – Họa sĩ Sơn mài. Khám phá hành trình nghệ thuật và triết lý sáng tác qua từng lớp sơn mài truyền thống. Nguyen Dinh Long is a lacquer painter who explores time, silence, and materials through a slow, multi-layered process. His work focuses on lotus flowers, people, and local culture as a space for contemplation. Document.pdf Nguyen Dinh Long Was born in 1970 in Gia Binh - Bac Ninh, Currently living and working in Ho Chi Minh City. Graduated from Vietnam University of Fine Arts. Member of Ho Chi Minh City Fine Arts Association - Member of Vietnam Fine Arts Association. Main creative material: Lacquer. Whose work is deeply rooted in traditional materials and cultural memory. Over many years of practice, he has developed a distinctive visual language in his works — each painting is not just a decorative symbol, but a form of contemplation shaped over time and process. His works have been exhibited and continuously presented at galleries in Ho Chi Minh City, reflecting a long-term commitment to lacquer as both a medium and a philosophy. He composes with a slow process, disciplined approach, allowing each painting to evolve through multiple layers and stages of refinement. Living and working in Vietnam-Ho Chi Minh City, Nguyen Dinh Long continues to explore the relationship between material, silence, and perception in contemporary lacquer painting. His works are part of the contemporary Vietnamese lacquer painting movement.

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